Georges Bizet • March 28, 31; April 3, 5, 2020
Set in 1830 Seville, Spain, Carmen is a roller-coaster of lust, deception and murder. Fiery gypsy Carmen, who lives her life to the fullest, can have any man she wants. But when she seduces naïve Corporal Don José, she gets more than she bargains for.
Carmen works in a cigarette factory. When a knife fight with another employee leads to her arrest, she charms Corporal Don José into letting her escape. Like a moth drawn to a flame, Don José forsakes his military career and the innocent peasant girl Micaela for a life on the lam with Carmen and a band of smugglers. Never one to settle down, the passionate Carmen gets bored with Don José and becomes involved with the glamourous, testosterone-filled bullfighter Escamillo. Left with nothing, Don José decides that if he can’t have Carmen, no one can.
Full of magnetic melodies, colorful costumes, and tragic twists, you’ll fall in love with George Bizet’s one-and-only Carmen.
TBA: Lillas Pastia
The Artistic Team
Conductor - Timothy Myers
Stage Director - Garnett Bruce
Set Designer - R. Keith Brumley
Costume Designer - Malabar
Lighting Designer - Andrew Ostowski
Wig and Make-up Designer - James Geier
Stage Manager - Cindy Knight
Asst Conductor - Glenn Lewis
Chorus Master - Mark Trawka
Associate Coach/Pianist - James Lesniak
Asst Stage Manager - Matthew Haney*
Asst Stage Manager - Alex W. Seidel
Asst Stage Manager - Jin Ah Lee
+ Pittsburgh Opera debut
* Pittsburgh Opera Resident Artist
** Pittsburgh Opera Resident Artist alumni
Listen to Pittsburgh Opera General Director Christopher Hahn give a brief synopsis of Carmen featuring excerpts from this 1975 Decca recording with Sir Georg Solti conducting the London Philharmonic Orchestra:
Click play below or download these excerpts for an offline treat!
- "Overture" - performed by the London Philharmonic Orchestra
- “L’Amour est un Oiseau Rebelle” - sung by Tatiana Troyanos as Carmen with the John Alldis Choir
- "Parle-Moi De Ma Mère!" - sung by Placido Domingo as Don José and Kiri Te Kanawa as Micaela
- “Près des Remparts De Séville” - sung by Tatiana Troyanos as Carmen
- "Votre Toast, Je Peuz Vous Le Rendre” - sung by Jose van Dam as Escamillo with the John Alldis Choir
- "La Fleur Que Tu M’Avais Jetee” - sung by Placido Domingo as Don Jose
- “Bel Officier” - performed by the London Philharmonic Orchestra
Act III and IV
- "Entracte #2” - performed by the London Philharmonic Orchestra
- "Je Dis Que Rien Ne M’Épouvante” - sung by Kiri Te Kanawa as Micaela
- “Hola! Hola! Jose!” - sung by Placido Domingo as Don José
- "Entr’Acte #3" - performed by the London Philharmonic Orchestra
ACT I. In Seville by a cigarette factory, soldiers comment on the townspeople. Among them is Micaëla, a peasant girl, who asks for a corporal named Don José. Moralès, another corporal, tells her he will return with the changing of the guard. The relief guard, headed by Lieutenant Zuniga, soon arrives, and José learns from Moralès that Micaëla has been looking for him.
When the factory bell rings, the men of Seville gather to watch the female workers— especially their favorite, the gypsy Carmen. She tells her admirers that love is free and obeys no rules ("L’amour est un oiseau rebelle"). Only one man pays no attention to her: Don José. Carmen throws a flower at him, and the girls go back to work. Jose picks up the flower and hides it when Micaëla returns. She brings a letter from Jose’s mother, who lives in a village in the countryside ("Ma mere, je la vois"). As he begins to read the letter, Micaëla leaves.
Jose is about to throw away the flower when a fight erupts inside the factory between Carmen and another girl. Zuniga sends Jose to retrieve the gypsy. Carmen refuses to answer Zuniga’s questions, and José is ordered to take her to prison. Left alone with him, she entices Jose with suggestions of a rendezvous at Lillas Pastia’s tavern ("Près des remparts de Séville"). Mesmerized, he agrees to let her get away. As they leave for prison, Carmen escapes. Don José is arrested.
ACT II. Carmen and her friends Frasquita and Mercédès entertain the guests at the tavern ("Les tringles des sistres tintaient"). Zuniga tells Carmen that Jose has just been released. The bullfighter Escamillo enters, boasting about the pleasures of his profession ("Votre toast, je peux vous le rendre"), and flirts with Carmen, who tells him that she is involved with someone else.
After the tavern guests have left with Escamillo, the smugglers Dancaïre and Remendado explain their latest scheme to the women ("Nous avons en tête une affaire"). Frasquita and Mercédès are willing to help, but Carmen refuses because she is in love. The smugglers withdraw as Jose approaches.
Carmen arouses Jose's jealousy by telling him how she danced for Zuniga. She dances for him now, but when a bugle call is heard he says he must return to the barracks ("Je vais danser en votre honneur"). Carmen mocks him. To prove his love, Jose shows her the flower she threw at him and confesses how its scent made him not lose hope during the weeks in prison ("La fleur que tu m’avais jetée"). She is unimpressed: if he really loved her, he would desert the army and join her in a life of freedom in the mountains. Jose refuses, and Carmen tells him to leave. Zuniga bursts in, and in a jealous rage Jose fights him. The smugglers return and disarm Zuniga. Jose now has no choice but to join them.
ACT III. Carmen and Jose quarrel in the smugglers’ mountain hideaway. She admits that her love is fading and advises him to return to live with his mother. When Frasquita and Mercédès turn the cards to tell their fortunes, they foresee love and riches for themselves, but Carmen’s cards spell death—for her and for Jose ("Melons! Coupons!").
Micaëla appears, frightened by the mountains and afraid to meet the woman who has turned Jose into a criminal ("Je dis que rien ne m’épouvante"). She hides when a shot rings out. Jose has fired at an intruder, who turns out to be Escamillo. He tells Jose that he has come to find Carmen, and the two men fight ("Je suis Escamillo"). The smugglers separate them, and Escamillo invites everyone, Carmen in particular, to his next bullfight.
When he has left, Micaëla emerges and begs Jose to return home. He agrees when he learns that his mother is dying, but before he leaves he warns Carmen that they will meet again.
ACT IV. Back in Seville, the crowd cheers the bullfighters on their way to the arena ("A deux cuartos"). Carmen arrives on Escamillo’s arm, and Frasquita and Mercédès warn her that Jose is nearby. Unafraid, she waits outside the entrance as the crowds enter the arena. Jose appears and begs Carmen to forget the past and start a new life with him ("C’est toi! C’est moi!"). She calmly tells him that their affair is over: she was born free and free she will die. The crowd is heard cheering Escamillo. Jose keeps trying to win Carmen back. She takes off his ring and throws it at his feet before heading for the arena. Jose stabs her to death.
- Adpated from Opera News
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- Run time: 3 hours and 15 minutes including two intermissions
- Understand Every Word: Carmen is sung in French, but has English supertitles projected above the stage at all performances
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- Pre-Opera Talks before each performance
- Audio Description available at The Benedum Center
- Braille Programs available at The Benedum Center
- Large-Print Programs available at The Benedum Center
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